Italian
It was the Rector who discovered her in a venue in Rome where Ditonella piaga is from, while she was performing, and from there their collaboration began and her launch into a career that can now be said to be unstoppable.
Because one of the secrets of Margherita, let me call her that, is to bring together various musical genres, even the most different ones, with absolutely intelligent lyrics, which seem to have been born from those brainstorming sessions where the number of times a word has been mentioned is counted, and which serve as nomenclature for texts like Businessman, where all the terms used in the economic sector are combined in rhymes and wordplay, resulting in a provocative and enticing text like those of Alice in Wonderland.
She herself could be a character from that fairy tale, for her striking beauty that gives her that good girl vibe, but carries with it a series of enigmas. She herself, in the last part of the show, confessed her fears and contradictions and the difficulty of accepting herself (hard to imagine in such a beautiful body) for not being pop enough or rebellious enough.
Here, it can be said that in this highly acclaimed show, she has found her path and carries it forward with originality and determination. And as we all know, the first ones who must be convinced to do something must be us, regardless of others’ judgments. Her determination, at 29, has taken her to a place she perhaps wasn’t aware she wanted to reach, but she has arrived there brilliantly.
A red phone from which she received various calls, including those from her parents, who called her by her real name, Margherita, asking what she was doing up there on that stage, if she had problems with alcohol addiction, given the presence of a large and conspicuous cocktail glass.
Accompanied by two extraordinary dancers, she continued the show until the “real” Ditonellapiaga called her, saying she was an usurper of her space and to leave immediately. After exiting the stage, the “real” Ditodellapiaga returned in a stunning red dress accompanied by the police dancers who had “killed” the fake.
Then the third part of the show began, dedicated to her album Miss Italia, and she, surrounded by silhouettes depicting her, welcomed Donatella Rettore, who sang Chimica with her, and did
open compliments about her beautiful legs, as well as her backside, things that everyone thought but didn’t feel comfortable expressing.
It was the Rector who discovered her in a venue in Rome where Ditonella piaga is from, while she was performing, and from there their collaboration began and her launch into a career that can now be said to be unstoppable.
Because one of the secrets of Margherita, let me call her that, is to bring together various musical genres, even the most different ones, with absolutely intelligent lyrics, which seem to have been born from those brainstorming sessions where the number of times a word has been mentioned is counted, and which serve as nomenclature for texts like Businessman, where all the terms used in the economic sector are combined in rhymes and wordplay, resulting in a provocative and enticing text like those of Alice in Wonderland.
She herself could be a character from that fairy tale, for her striking beauty that gives her that good girl vibe, but carries with it a series of enigmas. She herself, in the last part of the show, confessed her fears and contradictions and the difficulty of accepting herself (hard to imagine in such a beautiful body) for not being pop enough or rebellious enough.
Here, it can be said that in this highly acclaimed show, she has found her path and carries it forward with originality and determination. And as we all know, the first ones who must be convinced to do something must be us, regardless of others’ judgments. Her determination, at 29, has taken her to a place she perhaps wasn’t aware she wanted to reach, but she has arrived there brilliantly.
a sold-out evening despite the uncertain weather
A highly anticipated event last night at Suoni di Marca, the music festival that has been delighting the Treviso summers for 36 years and has accustomed us to the presence of highly significant figures, such as the legendary Franco Battiato.
The uncertain weather seemed to ruin the evening, which instead started regularly with Ama Supreme, a Drag Queen with a striking presence and an original voice, accompanied by a band of young talents, and then with Queen of Saba, who, amidst political and gender themes, was applauded by an audience that was gradually arriving for the highlight of the evening: Ditonellapiaga
This singer, who the general public got to know at the San Remo Festival last year in a duet with Rettore with the song Chimica and this year solo with the piece Che Fastidio!, but also during this year’s cover night with Tony Pitone, in an unforgettable performance, has arrived in Treviso and Paolo Gatto himself, while introducing her, expressed his astonishment.
In an optical stage in black and white, which was gradually transformed by the lights, including strobe lights, and by a voiceover informing about the duration of the concert (90 minutes), and the special effects that could also disturb those in the audience who were more sensitive, Ditonellapiaga appeared, in one of her vintage polka dot dresses, carried like an empty sack on the shoulders of a festival bodyguard, quoting a work by Offenbach, Les oseaux dans le charmille.
After this grand entrance, he began to sing, showcasing an exceptional voice and stage presence, as well as weaving almost a theatrical script into the performance.
A red phone from which she received various calls, including those from her parents, who called her by her real name, Margherita, asking what she was doing up there on that stage, if she had problems with alcohol addiction, given the presence of a large and conspicuous cocktail glass.
Accompanied by two extraordinary dancers, she continued the show until the “real” Ditonellapiaga called her, saying she was an usurper of her space and to leave immediately. After exiting the stage, the “real” Ditodellapiaga returned in a stunning red dress accompanied by the police dancers who had “killed” the fake.
Then the third part of the show began, dedicated to her album Miss Italia, and she, surrounded by silhouettes depicting her, welcomed Donatella Rettore, who sang Chimica with her, and did
open compliments about her beautiful legs, as well as her backside, things that everyone thought but didn’t feel comfortable expressing.
It was the Rector who discovered her in a venue in Rome where Ditonella piaga is from, while she was performing, and from there their collaboration began and her launch into a career that can now be said to be unstoppable.
Because one of the secrets of Margherita, let me call her that, is to bring together various musical genres, even the most different ones, with absolutely intelligent lyrics, which seem to have been born from those brainstorming sessions where the number of times a word has been mentioned is counted, and which serve as nomenclature for texts like Businessman, where all the terms used in the economic sector are combined in rhymes and wordplay, resulting in a provocative and enticing text like those of Alice in Wonderland.
She herself could be a character from that fairy tale, for her striking beauty that gives her that good girl vibe, but carries with it a series of enigmas. She herself, in the last part of the show, confessed her fears and contradictions and the difficulty of accepting herself (hard to imagine in such a beautiful body) for not being pop enough or rebellious enough.
Here, it can be said that in this highly acclaimed show, she has found her path and carries it forward with originality and determination. And as we all know, the first ones who must be convinced to do something must be us, regardless of others’ judgments. Her determination, at 29, has taken her to a place she perhaps wasn’t aware she wanted to reach, but she has arrived there brilliantly.
